Calvin is particularly committed to improving access to the ballet world because his own journey to the top has been far from typical. In 2017, he became only the third black dancer to be appointed a principal in the ABT's 84-year history. He is also the first black male to hold this title in more than two decades. Growing up in Tampa, Florida, Calvin displayed a passion for dance from a young age but didn't begin ballet lessons until he was 14 - an uncommonly late start in a world where some dancers begin their training as toddlers. When he was 17, he won a scholarship to ABT's Jacqueline Kennedy Onassis School, but moving to New York City to continue his training proved to be a steep learning curve.

"I was surrounded by ballet dancers who had been training their whole lives. It hit me then how much it would take to catch up," he recalls. "Every time I looked around the room I saw no real diversity." Calvin readily admits that he often felt "isolated”. Opening up to his peers was tricky, because they were also his competitors. "You knew everyone there was striving to win a place in the company, which only a few achieved," he says.

Calvin's talent and hard work helped him to defy the odds, but he's most proud of making it without sacrificing his fundamental sense of self. "There were times when I felt that being openly gay would hinder me, or being black would hinder me, but my drive and determination carried me through," he says.

He is especially proud of Touché, a new ballet centered on male love that he performed in 2020. "It was my first time working on a ballet that was so closely tied to my own life experience," he points out that Touché wasn't just a story about a gay couple, or even a gay interracial couple, but one firmly rooted in our collective humanity. "It resonated not only with those who are members of the LGBTQIA+ community, but with everyone. That's when I realised we were changing lives and perceptions of love."